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FILM ARCHIVES & THE DEATH OF CINEMA

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̷s@The Moving Image (Volume 6, Number 1, Spring 2006)AArianna TurcibThe Use of Digital Restoration within European Film Archives@̡AwڬwqvOs/״_@F@sꪺӮפRCq_ڪPBkMnڪBqjQHΦZATurciwFKҹqvvƾcAwƦ޹qv״_POsijDAF@tC`׳X͡CeF]tDzέ״_PƦ״_(digital restoration)RBuH_FPɡAbs´C汵ڡAj槽aB[ͤά޹qv~CK񪺮i{ڬwUثeqvƿ򲣺@AסAboˤ@ӬܾEtBvJjqݤSjqyɥNA[@ӤH`פϫ|C

Arianna Turci`׳XͪKҹqv]ABμƦިӶiqv״_u@~_BAۤEs~NܤAjhݩʽ誺ʹնqAqĭ״_(sound restoration)v״_(image restoration)CùqjQaqv](Cineteca Nazionale)Auw墨ǶDzΤuk״_\ϥμƦިӭ״_CTAbJkLkݨDɡAsƦ޳Nyo~nCAlfonso Del Amo, Zqv](Filmoteca Espanola)״_, {Ʀ״_̥DnBObĪGuƤk(photochemical methods)iXӪvC bڬwDnqv]µۼvuƦX״_v(hybrid restoration)oiڡAḼ{@P̤jxOWuҡC䤤SHBnڪZPgO̬YAFqv](Cinemateca Portuguesa)ثeê]ȱAuiƦ쭵ĭ״_F Alfonso Del AmoOΡu۱v(suicidal situation)ӴyzZv̿ƦޫoSWLxҡAL[XG㦳ƻȡBgٮįq״_u{|OǴCu~oiؼСAtӤ|ӤjJ[H䴩C ӨATurciXGaϼƦ״_b_ڸnڴMoi(ƦoiF~)AثeM٥HƦެ`A¦v˵kC

ޤqvu~l׬O|AƦƪoiqvvƪOsbް_sxijQתPɡATOvTFӲ~AC1998~_Aqvժ](Nederlands Filmmuseum)Nnoiv״_Ʀ޹A]L̻{NӬݡAwШäiaFӷqvs@ରƦΦɡAOsP״_]|[CƦޤbssWϥΡA]קKFvbɥNQڬyC MӡAqvvƮw(Danish Film Archive)]Thomas ChristensenXƦިëDOءuOsvCFuOءu״_vCCثeAyqvƿ򲣨èS[OspeAS@ؼƦ榡Píw쨬HqvswAަAoFAڤWoèSѤ@íw¦Ӥ䴩OsqvݨDCުoiOP䤣íwʡAqvƳyFjC ھTurci峹ܡAڬwMqvƫOs/״_H{AƦƵoiNDzΤ覡޼yO𦭥M|oͪAChristensenַNOsqvDzΤk~UhAo˪p]u೻hAQ~AƦu{un@WN|Wܤ@CoѥiwֳtܰʥӡADavide PozziAiǹqv](Cineteca di Bologna)״_Ahë۶}[AסA{ӭn㦳[ӨϥμƦuAoتA]AF۲zijDBƼhsC

o@嬰qvƿ򲣰^mHۦ@PؼСGuɥi઺OdqvvAHvjqyCbާֳtjq~AڡAqvGvBưOлPƦ·tɥN(The Death of Cinema: History, Cultural Memory and the Digital Dark Age)@̫Où.¨.Q(Paolo Cherchi Usai)XFqvHAӻvjqy@ɩʦMA{H|Lk[sbCALצAOɤߤOA@Ѳרs|FPɡALM}FuOsvBu״_vӤPӷC޵oiP^OO@˧ֳtGdnͦsFbӥ@B½ۤFTQ~BCDФGQ~NħĥiMBLD@{]XGߨ覨A޶եͬaӼsxA~ƦơA~|ƿ򲣳yLi^¯١COù{qvƻݭnOʪuOsvBӫDCC_gٰӷ~Ҷqu״_vA@vbgu״_voӨSIBi줰{פ~⦳NqB̫_ӷ~QqUug_vg䪺L{ɡAP@ɶwgEQEv]Ҽðŵ}]ӾDJFtlaaCbmϤƿ򲣪eUAOùXFbLvͦAuFFּƤluȹةRAOSNqCڬwqvƫOs/״_ɴMNѨDzβרsQިNAӻB¼ƦƬ޵oiڶiAbƦƬަbͬ_إߪQvڡAOùϫOsõoi@ؾv[AHƿ򲣧@F@ΤWǪëǫҡC

 
   
 
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