bG
KXG
 
1 @sjǼsqt14th ~s@ RQu@ ۼxt  
2 [xt] ʺ-sjAv  
3 Dzs(IqQ)xt  
4 <>MktĤTo...GARdG  
5 u43gS2ѡvزʱMΥDD 67
6 uھpqvزʱMΥDD 73
7 xjqvҾɺtkҡDۼxt  
8 umCSkġnĤGix (sWƦW)  
9 ǥͻss@~[]xt  
10 ixHjxjqv ˤluWǡvۼxt  
 
 
jM
   
 
 

qvssyGqvPǡA[ݻP

/ E

~ӡAUӷUhqvs}lɦV-qvQF̬nz׸귽Ӧ۩wǯ(Deleuz)⥻ۧ@GmB-vn(The Movement-Image)AHΡmɶ-vn(The Time-Image)Cwǯ޶iӵoFfɶBuɩv(duration)BMıǰQסA}ҤFqvPǬseCꤺwGgۧ@ĶCFwǯDnquɶvץhݹqv~At~@s̫hM`uŶvDAרOǧUǮae(Merleau Ponty){HǨӰQר骺ijDCꤺثe@۪k½ĶGqvsM着AYOHǨץhҽGqvP馳ijDFӾǪǨx]eXF@QeҭǪۧ@m鳡pweP{HǤnAO¶ۨijDӮi}ӿBiŪʰQסCFuɶ-NѤyvBuŶ-vGjijD~A٦@UqM~ƻP}`zר|w믫RF@|AuOeҬy檺HFreud쩳ҫBӸŪqv`AӬOgѧ}`LacanBZizekBHSpivakz׮aAMɶ(v)PŶ(m)@lA`JalsFuıʡv(visuality)BD骺κcBH[ݦmijDC

Mgqvs椸AФ@ӭȱo˪uWqvsGFilm-PhilosophyCUWqAYOHǪץh[ݡBhҹqvCMӡASOOA峹hbݩuѵvA~ӱqǬݹqvۧ@iF`JKЩMסCʥFFk꨺˱qɴN}lǽҵ{VmB]Ӷեʤ֨ǰ¦xWǤlӨAHǨӶiqvNAKoQYO(pGǩlBSɧUǵӬݹqvO?)BƦܪIBBCFilm-PhilosophyoӺѤF@tC`J㪺ѵAbڭ̲aBļiah\Ūiwkǭ大eA洣ѤF@ǹwƪѡBMΪީξŪGOǫ骺vߵλyҡBSwǮaҤ覡BǮaұܪǶDzάBHΦǾǪ̼gL@Dz`JLXBŪiˡB]ezѪJŪC]\Aobڭ̦]J{ӨM߱qfԹ϶}lsޡBWӨvǥvBPɼxǮaYǯSwyJHγodzNyұMASwNqeA@CܩMT䪺ŶMlaCǻPqvӦp? ٬OǻPqvBqfԹ϶}lNl׳BiA? DzzשΤ奻uޥΡv? ǬO_uO@ثҤ覡AӤOiHQޥΪidea? HΡAuҪ覡vMuݪ覡v󤣦P?

2006~ĤQĤGFilm-PhilosophyAMDDOEJuڳqvǡv(Continental Film Philosophy Today)CgܤF䤤GgפA[HKnPɥ[HmáBݡAƱŪ̯@qvPǤseΰ򥻰DC

@BuPc

Ĥ@gnЪORobert Sinnerbrink峹GCinema and Its ShadowAoO@gѵAHOMario Perniolaۧ@Art and Its ShadowCڳǪ̯ɯVFsǻPqvYA㦳N]AFڭ}Q(Alain Badiou)mHandbook of InaestheticsnBxuC(Jacques Ranciere) mThe Politics of AestheticsnBHΥv(Bernard Stiegler) mTechnics and TimenC(Film-Philosoph禳ǪPatrick Crogan@gStieglaerѵC)ӥg峹YwFMario Perniolaҽsġ@NʿﶰmNǻPNn[HסCoﶰnAF\hijDGѦpt(aesthetics of difference)Bw}UP{NDqB[NHsituationist artAߪlݬOGb{NDqANٯవǤ?

ﶰPerniola@g峹mڦVǹqvn(Toward a Philosophical Cinema)AչϦ^FoӤ߰lݡCPerniola{A{NDq᪺NM֦԰OAunBbDyǮج[(ɤOgDqBHΩ_[Dq)uvv(shadow)CPerniolaRFżwmGơnHμwJҪ̫@]O۶ǩʧ@~mšnAQפFqv@@ؿWNmDAHάeqvҴXӪǬDԡAiӰQ׷ܱԨƹqvDyP(homogenizing)ɦViʡC

PerniolaXG[HӦN`O۰g(appearance)Mu(reality)ߡFӷNǫҤ]GDn|iG@譱OΩ_[vܱmBHιCYɩ(immediancy)֩wFt@譱hO[HӳQΪ[⨭BHhWBBɤOB`ijDi歫sҡCe̪NƦޥHμƦNAӫ̪NhNHΪtNC

Perniola{ڭ̥Xdw-®溸ǩMyJAsMt~@M[MyhyzNpCԩ믫RBw(Debord)Ϭ(anti aesthetics)BHùگSpara-aestheticsADOerniola{Ϊz׸귽CupA~HBzHUoijDJX(coincidence)GɤO(violence)B_[(spectacle)BgDq(realism)BCq(communication)wӳoǭijD]nbqvWצXF

mڦVǹqvnog峹ߴݬOG@qvO_OBΪ̬O_@Mǧ@~HoӴݭ~󦹫eqvǬsCqvҥHPǦKp]b󥦯AΤF{(reality)HΥAs(reproduction)BqvC{(cognitive potentiality)BH[A{BHιqvU[h{ѤH̪PB欰BHθgCodzOqvPDZKijDA]OڳǦb1960s-1970sҩҤVC

PerniolaҥHRFżwmGơnHμwJҪ@~mšnADO]oⳡ@~зsOΦCPerniola{AnڦVǻPqvsXoIANbsCsA~ɤަܹuPcǫҢwDOԨƹqvv(shadow)CMӡAѵHSM֩wALڭ̡A]F@qvi֦ǦVסC

bmGơnżwHзs覡XFԨơBBַN(poetic)BHΤϫ(reflective)vANqvPLCѦpqvasi[HsAhݹqv@@ؿWNΦXkʡFרAboˤ@ӦUvֳtWͥRPFɥNAȦvM~NAqvvooͨSCpmƻsɥNNn@夤ҴΪFuAѩXGCӤHsyMƻsvAo]ͲXjqUv(garbage image)ABF[ϿBߡBHgvOCmGơnܽdF@ش֤FD[HJ@~AvۦNvPξ_ӥ[He{C(ѵH]ˤFiHPżwøm[ݪqvGPatrick KeillerⳡALondon (1994)HRobinson in Space (1997)CmGơnAvpC̡AקKF]@ݭnӥhبBEBXBʳ_ӪԨơAӶɦV@ض}񦡪(aesthetics of openness)AJBOСBPHa۹J(coincidence)CӷżwַNHέ֪ϥΡA]qvǼhoHYPerniola{AżwHufictional documentaryv覡hA{AuH@ئGqvväsb覡he{vvAe{Fuspectacular realismvPureflective appearancevC

MӡA]ɧڭ̳B޳NoFӤjqsyݼv~NAv~PFvFKsCAgOApbꪺPɡBhܥҮ쪺{?wJҪ̫@]O۶ǩʧ@~mšnADO@Sv(qYܧu@Jܦ]ŦKleinian Blue̹)BunqvAOFҦۤvDwBʨVBHιqvNҡCIFҦۤvvhOHδcƤdCPerniola{oO@̬º骺ͩRPqvBefPN{P_ӡCPżwؾqhHzABvۦA{XӪu(authentic)PAҥܽdF@׭ӤHHΥD[@~pFܤ@دuۮĪG(truth-effect )AhFvAӱjդFC⪺PBOЪӷLBHέ֪{ʨϥΡCbAڭ̻P`B̲תɤOBHξ_ĪG(shock effect)۹JC

GB[PùɶBŶBP믫R

Maria WalshWAgainst Fetishism: The Moving Quiescence of Life 24 Frames a Second ѵAhOw Laura Mulveys@ Death 24x a Second: Stillness and the Moving ImageiF`JתRCMulveys@ѦWNIXFuRϤvPuʼvvӺIMPCCʼv(moving picture)O@ؤıAʯӦ۩qvMHuĪGCӫeùqv(avant-garde)h󥴯}oؼvPԨƪusʡvPuʩʡvAHXıBhܤơCeùqvq`HJrBBbWg޳NAӬFvs.RBԨvs./DԨơBvı/ıs@L{ʵ@tCߡCӼƦޤ_AhǦCߧ[ۡCL׬Oqvs@L{Ϊ̬O[vL{(ax@|v]ơBNȰBA͡Bj઺KQ)Aϱoucinema of momentsvܦFudelayed cinemavAnow-ness]ഫFthen-nessC

MulveybѤF@ӰϤGvXqvvev(pre-history in photography)AHμƦXqv(post-cinema in digital)F̦VęΦ^ANqvB@⬡ʪͩR𮧽ᤩFRIۤAӼƦޫhOsϹqvA(ӫD׵)CMulveyAޤFFreuduncannyAFırIήڬkAO`Υ(mortality)CڦAMulvey]ssF]Nv۶HqvMc̮JS̪gDqA{G̨ëDߤۮeC

MulveyٰQפFگS(Barthe)峹This Was NowHΤ(Bazin)Time EmbalmedCٻ{AqvuLhvY@ɶbuv{(sb)CӤگSh{v]ObReturn of the Dead(̪_P{)CگSwqvA]j[[ɶyʡALk[̦ۦxɶY@HάY@SwvCӬۤRAOگSʪrDnӷCӼƦީM]ơAoba[Aso@ʪPxּ֡C

OoؼƦ޳NoiAMulvey[FspectatorshipܡCMulvey̦WפmırPԨƹqvnʪ(vn)Ps(ưϦҧJ)[HFe̤D@RvgʡA̫hObɶ/ԨƤiSML{CG̳PuIεJ{vHΡuxv(control)CMӡA Mulveyb好{@ƦɥNʪoO㦳FvGܹLhu(ǥѭ୫)HΩܱԨƮɶyɤ޴x(ǥѼȰ)C

MӡAѵHoäo[C M@إD믫AoFqvXB(movement)CFRMӧqvY@檺RvDOjqvzתʾѤCMulveyѪDADOnsT[ʪ(fetishistic spectatorship)CMulvey{AƦɥNA[ʪ(fetishistic spectatorship)DO@ؤkʤ(feminized)Gϱo[oHsxF[vL{RvIMA][oHܱԨ(narrative)jyvCѵH{Ab1980sANǪ̸չϧgFreudANʪsƦkʴrMkʪʩʡF]AMulveyIäsoC

ѵHi@BAMulveypDOH@ʪxhNet~@ءCMulveyMչϵXƪR(Ʀ)HηNѫA(ʪ)AOTۦbuʪv@JWAѩ󥦤wgӸFLh׭zM߳AHܩH}ݧesPiALkݥXƦީұaӪhܤƩMĪGC~AѵHXAگSI(punctum)[AO@ءuoff-screenvGGӤڭ̬ݨCӨIϩŧF[̡A[̥hFLDmAӳQaܧOaCMulveyHRvӽv(empower)[OAOC[̤]ܥiuSJv(immersed)FvAӫD[̥iHLɵL֦ۥѴxDʯOCaMulveyĥΤF믫R׭zMJAooFuNѡvF[PqvYOHwAƦ޳NuHxOAPɤ]iϹLӧ]FHDʩʡC[gѼȰvox/IhA]ܮeܦhC

~AuvRPyʪOA[]RMyʡC]ouOqveΤ奻DA]oAFSQwgJλʨ(inscribed)bqvB]NOsb{@ɤ[mHΥL(wӳo]\ݭnϹꪺu[svӥ[HF)CƦܡA(freeze frame)]NR(still)A
pگSҨA@iۤިӤFLhA]өyʡC[̪[ݰʧ@_F@ج(animation)@ΡGLקڭ[ݪOΪ̬ʼvAڭ`O_abغcBNPLvBPLhBPvBPӡBPFaۤsQC

Film-Philosophy}G http://www.film-philosophy.com/

 
   
 
eʺ
 
Simply the Best: jǭ^t
vǭb
Mqvq

yesasia
F|sD
M    xZҨ    ȪAHc
vŧi  pvn  ZnT
1217|TgSѾ
 
320 cj300  ߤj qvƬs   [ݳXȲέp
ߤjǼƦ줺e vҦ Copyright ©Digital Content Center at NCU 2006 All Rights Reserved