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iǻPqvj @BjNʧOܡGñdӪmKkϡnPQEim@kKen

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ækɺtñd(Jane Campion)m^vMoHn(The Piano,1993) obڼv¤WƨfءAoFת֩wnAPɤ]TߤF@kʥDqqvg媺aweAo@~]wgNѦa`kijDAPɿW@mqvAN@]AFʽ@pBvjPumffn(Sweetie,1989)BHΧsۯæk@aé`Eki(Janet Frame)pmפѨϡn(An Angel at My Table, 1990)CӦbm^vMoHnTߨ@̦a(authorship)A ñd~FmKkϡn(A Portrait of a Lady, 1996)FP˱aWSkB]P˧sۤǧ@~wӳos奻AhO|@{ǸgAQE@kʤpaQEi(Henry James) ̼sHgpGm@kKen(A Portrait of a Lady)C



m@kKenyz@QE@kl﨩ԡE(Isabel Archer)Ab`AhFs@ɬꦡWߦۥD۫H믫AH۩hҵ{FoGrand TourBe¥@ɼڬwCFR|h[BB{ѡBsoӥ@ɡAoڵFN@UuWvPuQvBHxQE@s@ɻP¤jDBklA@Oڳ^Qګ Lord WarburtonA@hOsC~~aCaspar GoodwoodA]iHBêAoHBΨۥDMۥѡAh@ɪPɡB{ۤv(to fulfill herself )C﨩Ԩu`OⴡbfUvB]zhfӤƥͲBɥHqۼJԤWҥlꪺ^QڪRalph TouchettAXkPRʪǬNʾAq˨~Ӫ@﨩ԡAnoͬDBhlMͬWFCMӡA֦L̤ۥѷNӪ﨩ԡAoݸަaBبaۦ樫JFuPXӪ@αBáC﨩ԩqjQjCA{ѤFP겾Bw~]ڳƦh~klNBSDX(Gilbert Osmond)FL|먬ڳƫABZooӪNŲaADOL@ebklBѽmBӿԤqw﨩ԴNJFJRʪd@C

奻/½Ķ

siH@½ĶA]AJFNƨ`UؼhĶD(qªǧ@~½ĶBF褧u½ĶvPޥDqB{NijD)BHΦUؤP½Ķ׭zCpGq½Ķ̪׵Aɺtgǧ@~@B~өӦqvANpPu½Ķv(translation)AL{O@DԡB½Ķ̤AЧ@O(re-creation)}CרAoO@burvBvvoGغIMPCiDJ(encounter)euF½Ķ̥޲zbùؤPABa~´ơANs´(weaving into)t~@ت˹ϮסC]A½Ķ̪u~ʡv(in-between)F@ӴѸγЧ@ŶBƦܨUgF]]aaʻPnʡA½ĶHM½ĶGAuODzΤWһ{uH춥YGĶû}~Bݩ大UFӱoHsaݥX@訤OBӪxAs½Ķ@عYC

oعܷAbmKkϡnөB@HCZGQEiPñdӤAsbۦhGAiHѤڭ̳oŪ/[Aǧsqv@u}loݡv(ӵDuڥH@vFG߳QתϥܡBӫDҹL{Ru㤧A]NMDO͡BJJP)Ck / kʡBQE@hQȮɥN / GQ@kʥDqB() / 䶫(Dw)Bpr/qvvCoǽĬBϤBA]Os½ĶL{AsNqҥHΡBޥͪҦbaC

vPrwqvypı?

QEiiHO{NDqp(modernism)eXC۹QE@uǤϬM/JͬvgDqAi}ҤFuNNvnA{pDO@Ӧ(organism)Aۦ䤺b޿BcզBȡAOpMpg@UA`spGBӸ`yBիסBHxyg@޳NC@Ч@AgpoEcFߴTmThe Wings of the Doven(1902)BmThe Ambassadorsn(1903)BPmThe Golden Bowln(1904)ͤߦ媺j@CPɡAi@]sBإ߰_LWSpǪtFŪ̳̬zzֹD@hAOLN@gp@~A´uӿBcơBǪ@iuvC~AHӤpNv[AiЧ@MzװѻPFB޵oF@{NpjGubVvCת̱`d(Woolf)Bs(Joyce)ۦWuNѬyv(stream of consciousness)Ali@~uԨ[Iv(viewpoint)PAHΡubWաv(inner monologue)@ުkϥΡCoر˱HǽTryø~b@ɪP(action)AӥHӿrӪ{Hb@ɪA(situation)ηNѬyAPɥlۤHөʩΤHqyBΦΡAHvMıʬCSʪqvӨADO@HĶ}߬DԢwpuıơv(visualize)? pHuvvĶurv? רp󮷮pgѷNѤyRnӦ⫬(chracterization)?

ñdӡmKkϡnA@iOҥܤFpĶL{PGCbqjQj@BaUӥޯ몺oVAX﨩ԬIiFL⪺bNCL@䶧ʤaʡAPɲB¶ۦoA¤beGjbAӾӼڦoVv|BHv岾BʡAϩPXPѦ@ǡAGN﨩ԧ]JtvCñdө󦹧F@ӵıNH(image)GxAHePĶFi@~A﨩ԱJX@GBѽmBZѡBc@ɤL{Cpr@Ӹ`B惡骺﨩Ԥ_I[AbiygobNѬy઺rAϩNH۳o˪|AC@ӨMwEݳXۥѷNӡB̾ڪzʦҶqAMıBJRak椣FӤv|CӨklNLNBX󵽷NΪ̴cNBۤs´NùA̲׶פJFXM̪@LCP˪xNHA]X{b﨩ԹCJΪ@FɦowMQXѹҪgbALɵL褣B{Xp]Nv몺vw]NvIiۧުHA`OkʩΤkCbμUA﨩Ըﴡ۬Jʤ۷QSʫI`YA̫bYXIi]NҵeXxA֡CqĥΤFhؼvΦAʲɤlPBdqƪʧ@B¦qv(film noir)A|MﴡAֳtűAGnǹF﨩ԤbNѪìyC쪺OAxNHIFirNѬykAıWM@W]OHQΧưϦҧJmgOn(Vertigo)wP˦wtPxAP˳B̤FkʤkʤlvBHκcL/oiJMDC

ʧOFv(Gender Politics)

GQ@kʥDqqv@ñdӡAbB̦Qi@ʧO{P몺kʤpaڡA@~ʧOijDNoUqgAnDHӿץh[HRC

㦳Ũz׵s̥HΦҧ@̥ͥ߶Ǫ̡Abi@~奻HΥͥӸ`AϩݨFPӻ{PLgCipNpJAXGwFTvШg̪{סFר~A禳HܥLPPӤͤHKˡCӨ@~kʫշLb}(Ʀܦת̻{䭷㦳ӿukʯSv)A Hιkʦbʤv|UҨ쪺Ai]Ҧ@azSXϩߦjPP(sympathy)CoǤ奻~ѼgAϱoohQȮɥNkʤpa@~AG㦳FkʥDqѼg(feminist writing)CMӡAFͥ⤧~Aip־ǫo]ϨʧO{PPܱ߳oHwwpHɱ`Hu[̡v(observer) ζHX{BuQ[̡v@ءusv(study) A (oغAצbp``aΦhΤ֪d@G)AiH]G䵧Up@ɡBsPpҦA{{@ɡA@زӹfBN[Bm~AסCoءuZPv(sense of distance)AϱoiNϩηNѧκAA]oKC

HWҶqAiHo{i@~ʧOFv(gender politics)겧`AHW²Ʀa[HשwܡCLpsOhQȮɥNvNѧκA(ŪaxBBè׹kHWV)@ѦAsHάOgѦA{ɤkʪd@DJӱDBvPѡHƤ⪺DbGuA{vkʪd@A|O@ءuAsv(reproduction)B]Ӥ]udTvFvǡAάO@ءuSv(reveal)BqӡuPvFv|? G̤GȦ@ujAƦܬO@uΪ̤@ǦaaCӡuSvFѭWP~AO_iHΦp~ศꦨu˸ѡvAhݭnPաC~A@̨sOʨkʩάOkPӪ_wAO_|ͺIMPƦܬۤߪ? e̥MOv@? ̶եkʥDqP@}u? iO_ǥѴykʴd@Aӷt糯ܤ@ؤQE@໡B]|LyhDPӳBҡHΥLȥuX@ŲaBNaA[ӫ~ۤkcƪfbpPp륩ۤ´NH

ñdӧsqvAѩb@WXGLҧʩΪ̤jTgAjW۸ikʪyøA]ӥiHqGe̤jP{P̪ʧO߳Cqv̬ت̡AboGQ@kʾɺtAGOHkʼ檺ѩAhQȮɥNkPӪ奻@dzQrMAoHcome outC@ƨijA﨩ԬFvBêӱoHlDۧڹ{B@@ڵFkK̪DBA^שнbɿȤWAɰ~MJ@ʤ۷QGTklqإ~JB¶ɯ`A}lR﨩ԡCjxvHζW{ꪺaAañdӹkʼ檺֩wAåB@Ϸ|k`uOuQHv(the gazed object)A﨩ԩpKʤ۷QoHϫȬDAsù´oۤvnC~Aʤ۷Q@@ؼvAPqvCıSۤIFM믫Rת̡A]bZҺ١uqv@@صıLNѡv(optic subconsciousness)vV_ֿn`JsCoصıBʤ۷QBNѤYA]bvBzWoHe{GvaBŶ^GFܡAGyɨIJ﨩ԪbNѤyAvagӬXMAGsùɶFzɶAӥH߲zɶ}w`Wtۤkʩʤ۷Q@XCFo@jxDѤkʼ椧{P~Añdөl}Yҥ[W@q²uǦ(preface)A]i{Fñdӹ󥿭֩wkʱɩұĥΪзNkCDO@sۥLݩN֤kAΥH˼ʦջyΥHnԯ͡A @ӺNsM~۵MA@ӱ@ӶDۨ˱KgGoB֩B˧kBRCoOO[Ҳ}YFQE@KkϩuOtWvAΪ̮aڵeH˩ΩdlζHJeAQwƦnݥBHΪoePϩOhQȤkʡuQ}TaxǤѨϡvCӬñdөҧe{GQ@֤kAb@ةnf(sisterhood)ĬAۥѱu~Aɵ۩pKӿ˱KgCo˪ϮtbJ﨩ԪĤ@YɡAPɧ[Ao][շLGktgipկSg(close-up)AѺR\AGO߼@P_񪺱CoOobԤh̬ݦԷŬXBhWW۹GDBAW۩Ө~OFySgYAHIQqvz׮aکԯ(Bela Balaz)ܨӻAhOHPtF̬ӿ~wӦSgYA]wܤFFi`kʤbNѪDDC

s@ɡB.ڬw¤jBPyƪ

]\]ñdӨkʾɺtıBΪ̦NѦaĨkʥDq\Ū(feminist reading)ASΪêpgTYHŦXqvCSAñdӥEJʧOFvijDA]]omi@~䥦hDCiXšBQڶŪ]QxA]pɬF{Whͬ˻AMݦŪ§BOB}BqwoNöŪucomedy of mannersvǮFB]WF춮ŪʺACMӡAñdӪqvAѩvPrtAuηRoǾmáBŷNq״IեxwGӡA@gѦyīWyWӬXӪijDA]NQjTHơC~Ait~@ӭnDGƮtBs@ɻPڬw¤jϩMȸBHΥ@ɥDq(cosmopolitanism)Aqv]Q}FCiѩ@ͨөs¥@ɤAרOFP^ۤA󤣦PazFv(geopolitics)bvL{ҧζBnƮtA֦`{MױӾUC

qvA﨩ԻPXñdӵ۾̦hDAG̭쥻ҬHAuOXL`JBMB׾iHQڬwy[ơAuO@~lŲaBbդlNaF̫ᤣh꨺طsͪ𮧥HΦ~zQP¼AϦӾD@GuìVvAiӱN﨩ԳvBJc`WCӧ@@NHHx﨩ԡAhOѩL׭ʫۧҦOBۥѷNӹL[]oѯuHߡBHιӤHDqWߩʪLۡAHܩ̫ϦӤݸަaRBVFd@@ݡCΪ̻Av|ڲ`kTaGUùaAYOkʥHWߧ@ܡAYOkoԤhPhAkʤ]רsekѨkʩδcNεLߡBαjwΨjeBƦܥHhi(]ӧ󬰱j)Ҥ@@@ѦӦxC~AڬwkʻPklXA]\ibǧBi(Nabokov)pmùRn(Lolita)o[OvɭPCñdӻEJ﨩ԻPXGHA]ӦAFoʧOFvijD`C

MӡAoXP﨩ԡApt@դHyUaFs¤jƽĬ𪺥DAY﨩Ԫnf^n͡A@Ӧ۬FkOMiss StackpoleAP﨩Ԫ^QڪRalph TouchettAWthwF(DvsQ)Bڲ߮PʮBŵDiAӧکBqBRQyĪyWnwYHnܶqvyӧe{Aiݩuw߭ޮavCMӡAѩñdӥDn`ʧOBA[WvLkӸLqդrAqvOʤ֤FlΥh`Je{o@էs¥@ɤƮtCMӡAkǪطsɥNkʤHѭIBWߦۥD®BHΩFFGH⪺ζHA@}lNPؼǮIIBfBFLͮƦܱa@ɦVζHAΦFjPC

MӡAYϤpBBikO̻PfHAƹWiHs¤j@ǬN٬ުAסAJOĨuDYv(either-or)AסA]²ơBZ_cGkFL`O岾CܩG̤Ǧaa(gray zone)AӫD䯸(take side)w]ALMs(Joyce)@檺uy`/ J̡v(expatriate)AJBƦܤeamA]aXBbVwϩuBȪͬAûbuLvΡuvC٬ުOAL̫olhۤOH󬰿@pmTC@ۺ٫H۰ڥDqHMNaAb}iy(globalization)zפөMUAiHP˳By(diaspora)ҤCips¤jҶi檺ӿBcơBGҡBӪ`豴A]\OX󦹺إ٬ǬNҡC

ipƮtHΰڥDq/yҪDAbñdӪoqv۸UhOh~IAoҽkP}CMӡApG˵@UmKkϡnoqvͲߵ(context of production)AHάñdөҥNDwsqvvi{AhGSAPipôFCDwHӧ@j^ҰꪺޥaHή~yDa(MѭDǩ󦹥}TPy)AϱoDwbWߤᥲsإ߰_ۨƻ{P(cultural identity)PD(subjectivity)CDw1970s}lUN]ߪqvcA]AFAFC(Australian Film Commision )HAFTS (Australian Film and Television School)AϱoaWߪqvu~uqL즳vBqSSLDfتoiL{(1970-1985DwqvqL׽ζqAOOHQުjz)A󦨴NF@bޥҤU\إߥDʪdFӦbڥyL{tnAODwuڹqvv(national cinema)CbDWڻRxBLNqvNΪ̧JnܶADwɺt}loHX@qvs@AñdӪN@m^vPoHnNO䤤@ӵΨҤlGñdӥHDOqæXBDwi@̾ɺtAӦ۪kADwsAkkDҬtAæaåB_ηa@u@ζCP˦aAmKkϡns۬pa@~AtkD﨩(@kl)gip(Nickole Kidman)DwXӦbnܶ«tBkDhOʦѶ׼@Xwlti_(John Malkovich)AqvhbqjQᵥʪCqDwڹqvBX@uDwvAPơBڡBFgt]AϱoñdӪ@~mbyƪ׭zBHΥyƹqvs@ߵ[H[wӳo]OipҩbD@B]OiHҸgLMҡCqoˤ@إǤJyƦesAOPɤ]ѰOiҳBQE@PñdӪGQ@vҮtAqo˪ɶ(v)BŶ(y)ߵ(context)XoAhmKkϡnHάñdӧ@~u@A٦ݹqvsbӶi[`JQC

]Pɦiפjhttp://hermes.hrc.ntu.edu.tw/C^

 
 
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